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Vincent van Gogh
Post-Impressionism

Vincent
Gogh

1853 – 1890Dutch

Dutch post-impressionist painter known for bold colors, dramatic impulsive brushwork and emotional depth.

Selected Works

Born
1853
Died
1890
Nationality
Dutch
Movement
Post-Impressionism

Selected Masterworks

Definitive works that define this master's artistic legacy.

View all 50 works

Sorrowing Old Man (At Eternity's Gate)

1890Major Work
Kröller-Müller Museum, Otterlo

Sorrowing Old Man (At Eternity's Gate) is an oil painting by Vincent van Gogh that he made in May 1890 in Saint-Rémy de Provence based on an early lithograph. The painting was completed in early May at a time when he was convalescing from a severe relapse in his health some two months before his death, which is generally accepted as a suicide.

Wheatfield with Crows

1890Major Work
Van Gogh Museum, Amsterdam

Wheatfield with Crows (Dutch: Korenveld met kraaien) is a July 1890 painting by Vincent van Gogh. It has been cited by several critics as one of his greatest works.

The Starry Night

1889Major Work
Museum of Modern Art, New York

The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest.

Bedroom in Arles

1888Major Work
Van Gogh Museum, Amsterdam

Bedroom in Arles (French: La Chambre à Arles; Dutch: Slaapkamer te Arles) is the title given to three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh.

Still Life: Vase with Twelve Sunflowers

1888Major Work
Neue Pinakothek, Munich

Sunflowers (original title, in French: Tournesols) is the title of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase. In the artist's mind, both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions.

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